A number of pianists report having issues with rhythm. To help solve the problem we need to be able to set a steady pulse and to internalise this as we play, pushing and pulling according to the natural ebb and flow that virtually all music requires. This is vastly different from playing metronomically, since no performance of anything is going to conform to an unbending metronomic beat, and while a certain amount of metronome practice can be beneficial if you know what you’re doing, too much of it ends up being detrimental.
Rhythmic Training Robert Starer Pdf Smbus Driver Download Windows 7 Download Games Gratis Untuk Laptop Sims 1 Game Free Online Battle Realms Download Torrent. Inferno Novel by Dan Brown ebook free download pdf is the fourth novel of Robert Langdon Series which is now available on this website in the high-quality pdf format for its readers. 1472279.pdf - cinquillo is explored. Chapter 3 examines folkloric music examples from Africa, specifically Agbadza and Kuku. The instrumentation of these rhythms is explained in. Download our rhythmic training robert starer pdf gratis eBooks for free and learn more about rhythmic training robert starer pdf gratis.
When I was a student at the Royal College of Music, we used Paul Hindemith’s Elementary Training for Musicians as a text book for handling complex rhythms against a steady pulse. Some of the exercises are pretty gruelling, and would challenge anyone. In this exercise, you are required to play the notes with one hand, but a tone higher than written, while tapping the rhythm below the stave on your knee (and then play again in two other stipulated keys). Yes, really…
Hindemith requires what he calls “coordinated action” in the exercises. This might involve speaking the given rhythm while conducting with one hand, or perhaps tapping it with the left hand while conducting with the right, tapping it with the foot while conducting, and so on – a literal embodiment of rhythm.
Rhythmic Training by Robert Starer
There is no doubt that practising the rigorous exercises in Hindemith’s book will prove beneficial for the more advanced player, but let’s start somewhere simpler. I can highly recommend a little book by Robert Starer, entitled Rhythmic Training. It’s been around for years, and is excellent if you follow the directions.
The author states in the preface:
The ability to transform visual symbols of rhythmic notation into time-dividing sounds is an acquired skill. It involves the coordination of physical, psychological, and musical factors and cannot, therefore, be accomplished by the simple act of comprehension. This book represents an attempt to develop and train the ability to read and perform musical rhythms accurately… It is intended for the classroom, for the private studio and for self-training.
Rhythmic Training Robert Starer
The book starts with the basics, how rhythm is organised and with explanations of the concepts of bar line and meter. Starer deals with time signatures (simple and compound), changing meters, rhythmic concepts such as hemiola and polyrhythms. The exercises get harder as the book progresses. As in the Hindemith, you can sing (or vocalise on a neutral syllable) and tap, sing and conduct, play and tap, etc. So, in the following exercise you might conduct with one hand (the “strong-weak-weak” hierarchy represented on the one stave in the stems-down notation) and speak the rhythm (ta-a for the minims, ta for the crotchets; either say “rest” on the rests, or simply say nothing).
In the final chapter we no longer find notation for the pulse and its suggested subdivisions, the idea is that by now we will have internalised these.
Other Resources
Most of the following resources contain links to Amazon, where you can preview the text to see if it might work for you.
Rhythmic Training Robert Starer Pdf Free Trial
The Rhythm Bible by Dan Fox
Musikal Husky Rhythm Keeper by Steve and Samantha Steitz (only available via Amazon US and EU it seems, although a UK edition is imminent)
Basic Timing for the Pianist by Alan Small
Rhythm Menagerie by Wendy Stevens
Let me leave you with a wonderful example of embodied rhythm, Don Swanson with Nigerian master drummer Baba Ayo Adeyemi.
*** *** ***
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Practising the Piano eBook Series
There are surprisingly few books that deal with the art of practising. This multimedia eBook series contains hundreds of videos, audio clips, music examples and downloadable worksheets to show you exactly what need to do in order to get the most out of your practice time. Click here for more information.
Practising the Piano Online Academy
Building on my blog posts and eBook series, the Online Academy takes my work to the next level with a comprehensive library of lessons, masterclasses and resources combined with insights from other leading experts. Aimed at piano teachers and pianists, it will transform the way you approach playing or teaching the piano!
Please click here to find out more about the Online Academy or on one of the options below to subscribe:
- Monthly subscription – Subscribe for £9.99 a month to get full, unlimited access to all Online Academy articles and updates (click here to sign-up for this option)
- Annual subscription – Save over 15% on the monthly subscription with an annual subscription for £99.99 per year and get free eBooks and editions worth over £70! (click here to sign-up for this option)
A number of pianists report having issues with rhythm. To help solve the problem we need to be able to set a steady pulse and to internalise this as we play, pushing and pulling according to the natural ebb and flow that virtually all music requires. This is vastly different from playing metronomically, since no performance of anything is going to conform to an unbending metronomic beat, and while a certain amount of metronome practice can be beneficial if you know what you’re doing, too much of it ends up being detrimental.
When I was a student at the Royal College of Music, we used Paul Hindemith’s Elementary Training for Musicians as a text book for handling complex rhythms against a steady pulse. Some of the exercises are pretty gruelling, and would challenge anyone. In this exercise, you are required to play the notes with one hand, but a tone higher than written, while tapping the rhythm below the stave on your knee (and then play again in two other stipulated keys). Yes, really…
Hindemith requires what he calls “coordinated action” in the exercises. This might involve speaking the given rhythm while conducting with one hand, or perhaps tapping it with the left hand while conducting with the right, tapping it with the foot while conducting, and so on – a literal embodiment of rhythm.
Rhythmic Training by Robert Starer
There is no doubt that practising the rigorous exercises in Hindemith’s book will prove beneficial for the more advanced player, but let’s start somewhere simpler. I can highly recommend a little book by Robert Starer, entitled Rhythmic Training. It’s been around for years, and is excellent if you follow the directions.
The author states in the preface:
Robert Starer
The ability to transform visual symbols of rhythmic notation into time-dividing sounds is an acquired skill. It involves the coordination of physical, psychological, and musical factors and cannot, therefore, be accomplished by the simple act of comprehension. This book represents an attempt to develop and train the ability to read and perform musical rhythms accurately… It is intended for the classroom, for the private studio and for self-training.
The book starts with the basics, how rhythm is organised and with explanations of the concepts of bar line and meter. Starer deals with time signatures (simple and compound), changing meters, rhythmic concepts such as hemiola and polyrhythms. The exercises get harder as the book progresses. As in the Hindemith, you can sing (or vocalise on a neutral syllable) and tap, sing and conduct, play and tap, etc. So, in the following exercise you might conduct with one hand (the “strong-weak-weak” hierarchy represented on the one stave in the stems-down notation) and speak the rhythm (ta-a for the minims, ta for the crotchets; either say “rest” on the rests, or simply say nothing).
In the final chapter we no longer find notation for the pulse and its suggested subdivisions, the idea is that by now we will have internalised these.
Other Resources
Most of the following resources contain links to Amazon, where you can preview the text to see if it might work for you.
The Rhythm Bible by Dan Fox
Musikal Husky Rhythm Keeper by Steve and Samantha Steitz (only available via Amazon US and EU it seems, although a UK edition is imminent) Ftth design software, free download.
Basic Timing for the Pianist by Alan Small
Rhythm Menagerie by Wendy Stevens
Caterpillar v80e manual. Let me leave you with a wonderful example of embodied rhythm, Don Swanson with Nigerian master drummer Baba Ayo Adeyemi.
Rhythmic Training Robert Starer Pdf Free Edition
*** *** ***
If you enjoyed this article then please click here if you’d like to sign-up to our mailing list to receive future articles, content updates and special offers. You may also be interested in the following resources:
Practising the Piano eBook Series
There are surprisingly few books that deal with the art of practising. This multimedia eBook series contains hundreds of videos, audio clips, music examples and downloadable worksheets to show you exactly what need to do in order to get the most out of your practice time. Click here for more information.
Practising the Piano Online Academy
Building on my blog posts and eBook series, the Online Academy takes my work to the next level with a comprehensive library of lessons, masterclasses and resources combined with insights from other leading experts. Aimed at piano teachers and pianists, it will transform the way you approach playing or teaching the piano!
Please click here to find out more about the Online Academy or on one of the options below to subscribe:
Rhythmic Training Robert Starer Pdf Free
- Monthly subscription – Subscribe for £9.99 a month to get full, unlimited access to all Online Academy articles and updates (click here to sign-up for this option)
- Annual subscription – Save over 15% on the monthly subscription with an annual subscription for £99.99 per year and get free eBooks and editions worth over £70! (click here to sign-up for this option)